Avant Chamber Ballet (ACB) recently marked a significant milestone with the celebration of the tenth anniversary of its Women's Choreography Project (WCP), showcasing new works by female choreographers. The performances, held on March 29-30 at Kurth Hall in the Sammons Center for the Arts, featured world premieres by Dallas-based choreographers Kaylee Skelton and Hailey Von Schlehenried, alongside restaged works by ACB's artistic director, Katie Puder, and choreographer Madelaine Boyce.
The Women's Choreography Project serves as a platform for female creators in the traditionally male-dominated world of ballet, providing opportunities for them to showcase their talent and contribute to the diversity of artistic expression in the field. Puder emphasized the importance of equity in the arts and live music, stating that the project has been instrumental in advancing these values since its inception a decade ago.
Schlehenried, a native of Johannesburg, South Africa, and Skelton, hailing from Littleton, Colorado, shared insights into their creative processes and inspirations for their respective works. Schlehenried's piece, "lost in a dream," explores the theme of love through music by Ludovico Einaudi, while Skelton's work, set to Jean Sibelius's 13 Pieces, Op. 76, aims to highlight the talents of ACB's ensemble in a joyful and dynamic performance.
Both choreographers expressed gratitude for the opportunity to collaborate with ACB and participate in the Women's Choreography Project, which has played a pivotal role in their artistic development. Skelton noted the positive atmosphere and supportive environment at ACB, which fosters creativity and encourages artistic growth.
The Women's Choreography Project not only showcases the talent of female choreographers but also enriches the artistic experience for audiences and performers alike. As ACB continues to champion diversity and innovation in ballet, the project remains a cornerstone of its commitment to promoting equity and inclusion in the arts.